Sigiriya is a unique witness to the civilization of Ceylon during the years of the reign of Kassapa I. The site of the 'Lion Mountain' was visited from the 6th century AD, by passionate admirers. The frescoes of Sigiriya inaugurated a pictorial style which endured over many centuries. The poems inscribed on the rock by certain of these admirers, and known as the 'Sigiri graffiti,' are among the most ancient texts in the Sinhalese language, and thus show the considerable influence exerted by the abandoned city of Kassapa I on both literature and thought.
In the heart of Ceylon, the extraordinary site of Sigiriya, a lofty rock of reddish gneiss dominating, from a height of some 180m, the neighbouring plateau, has been inhabited since the 3rd century BC, as attested by the graffiti which proliferate in the grottoes and the shelters of the Buddhist monks. The fame of the 'Lion Mountain' is, however, due to one single factor: during a short period in the 5th century AD, a sovereign established his capital there. King Kassapa I (477-95), son of Dhatusena, only came to power after he had engineered the assassination of his father and had, briefly, dispossessed his brother.
Justly fearing the vengeance of the latter, Kassapa had a fortified palace built on the rock of Sigiriya which was reputed to be impregnable. However, it was there that he was defeated after a short but cruel battle in 495, following which he cut his throat. After the death of Kassapa, Moggallana returned the site of Sigiriya to the monks, thus condemning it to progressive abandonment. During the eleven years that Kassapa resided in Sigiriya, he created a residence of exceptional splendour and founded his capital there, impressive vestiges of which are still extant.
At the summit of the rock is the fortified palace with its ruined buildings, its cisterns and its rock sculptures. At the foot of the rock are the two quarters of the lower city which are defended by a massive wall: the eastern quarter (perhaps postdating the 5th century), which has not been sufficiently excavated, and the aristocratic quarter of the capital of Kassapa I, noteworthy for its terraced gardens embellished by canals and fountains, as well as for numerous monumental remains which have been disengaged from the forest which had invaded the ruins.
Halfway up the rock, within an inaccessible rocky shelter in the vertical wall of the western face are rock paintings which have brought universal acclaim to the site of Sigiriya - 'The Maidens of the Clouds', 21 non-identified female figures, comparable to the most beautiful creations of Ajanta.